THE MERRY WIDOW 2019

THE MERRY WIDOW

Show dates:  Wednesday 6 March – Saturday 9 March 2019

Venue:  The Rhoda McGaw Theatre, Woking

Time:  7.30 pm (Saturday matinee – 2.30 pm)

Rehearsals:  Mon and Thurs from 3rd September 2018, 8 pm – 10 pm

Location:  Main Hall, The Maybury Centre, Board School Road, Woking, GU22 5HD

AUDITIONS FOR PRINCIPAL ROLES WILL BE HELD ON MONDAY 17 SEPTEMBER AT THE MAYBURY CENTRE, AT 8 PM.  No auditions necessary for chorus.

We will be using the libretto by Phil Park with the score adapted and arranged by Ronald Hanmer.  SEE AUDITION PIECES BELOW.

 

Meet the Directors…..

E GLORIA SMITH

At the age of six Gloria had her first stage role as a fairy, and at grammar school progressed to pantomimes and G&S operettas.  More recently her stage career has included roles in A Little Night Music, Bye-Bye Birdie, Oliver!, Divorce Me Darling, Carousel, Chess and Trial by Jury.  However, having spent more than 30 years on the other side of the footlights, Gloria’s main passion now is that of directing.  This will be her third show for KASJOG, having directed Ruddigore in 2015 and The Mikado in 2017.  She has also devised, directed and narrated two very successful and entertaining compilation shows.  Other productions have ranged from pantomime through to musicals:  Anything Goes, Calamity Jane and Guys and Dolls.  Gloria played guitar for over 20 years, raising funds for Lukaemia Research and Action Against Breast Cancer.  As a NODA South East Regional Representative, she attends and reports on approximately 40 shows a year and, in any remaining spare time, can be found on the badminton court or the golf course – and yes, on stage too!

 

 

RICHARD STOCKTON

MUSIC DIRECTOR

Dick was born near Dudley in the West Midlands, England and moved to London to study Physics at Imperial College, later going on to study Singing, Conducting and Composition at The Royal College of Music and The Guildhall School of Music and Drama. He has sung with several professional chamber choirs such as the BBC Singers and the Monteverdi Choir, participating in broadcasts and recordings and performing in many of the great Cathedrals and Concert Halls.

Dick’s wide range of conducting activities stretch from the choral repertoire (especially the standards but also C20th English composers) through stage works such as the Gilbert and Sullivan repertoire, light operas of Offenbach/Strauss/Lehar into musicals, eg “Anything Goes”, “Half a Sixpence”, Gershwin’s “Strike Up The Band”, “Kiss Me Kate” and “Chess”. Richard is a popular Guest Conductor for various groups in London, Surrey, Berkshire and Hampshire, and has made many appearances as Musical Director at the International G&S festival.

In the world of Gilbert and Sullivan not only has Dick played all of the Comedy Baritone and Bass Baritone roles but has also conduced all of the 13 existing operettas many times including The Grand Duke and Utopia Ltd both three times.

In the choral world Dick has conducted (and also sung) most of the known and lesser known repertoire.

Recent projects in a lighter vein include conducting performances of 42nd St, Anything Goes, Oklahoma, The Witches of Eastwick, Oliver, Yeomen and Gondoliers, Follies, The King and I, Guys and Dolls, The Producers, Copacabana, Patience and Ruddigore.

Richard teaches Singing and is widely sought after as a Choral, Musical and Opera conductor. The remainder of his time is taken up working as an Independent Systems Consultant in Projects/Programme Manager together with family life.

DIALOGUE AUDITION PIECES

ANNA:  Page 22 up to song; p 44 ‘Count Danilo …’ to p 46 the Waltz Scene; p 63 top to end of p 64.

DANILO:  Page 22: p 25 ‘years too long …’ up to ‘The Fatherland …’; p 44 ‘Madame Glavari …’ to p 46, Waltz Scene;  p 63 top to end of p 64.

BARON ZETA:  Page 25 from ‘Let’s see …’ up to ‘The Fatherland …’; p 34 ‘Madam I congratulate …’ up to p 35 ‘When you get the chance …’.

VALENCIENNE:  Page 17 ‘Yes indeed …’ up to ‘Come away …’; p 24 ‘Oh my goodness …’ to exit on p 25.

CAMILLE:  Page 17 ‘But Valencienne …’ up to ‘But I thought …’; p 25 ‘I’ve hunted …’ to exit.

NJEGUS:  Page 34 from ‘I did the engaging …’ to bottom of p 35;  p 46 ‘Not yet …’ up to p 47 ‘That’s why …’.

ST BRIOCHE:  Page 40

CASCADA:  Page 40

KROMOV:  Page 24 ‘There is …’ to exit p 25.

OLGA:  Page 38 ‘As many …’ to exit.

PRASKOVIA:  Page 39 ‘Oh what a …’ to the end of the page.

SYLVIA:  Page 38 ‘Why certainly Danilo …’ up to p 39 ‘Oh the mean …’.

BOGDANOVITSCH and PRITSCH:  No audition dialogue.

THE GRISETTES:  No audition dialogue.

 

MUSIC AUDITION PIECES

(click on the link below)

The Merry Widow – Music auditions

 

 

 

 

 

 

 

 

 

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